Triple Moon Wind Chime — Goddess Symbol, 10 Inch Metal

Quick Specs

• Material: all metal with glass bead accents
• Overall length: 10 inches
• Weight: 0.3 lbs
• Dimensions: 5 x 4 x 1.3 inches
• Design: triple moon symbol (waxing crescent, full moon, waning crescent) as central piece
• Bells: 3 bells suspended on chain
• Accents: 4 sets of 4 glass beads
• Suitable for indoor and outdoor use

Three Phases, Three Bells, One Ancient Symbol

The triple moon – waxing crescent on the left, full moon at center, waning crescent on the right – is one of the most layered symbols in the Western esoteric tradition. Its modern form was systematized in Wicca largely through the influence of Robert Graves’ 1948 work The White Goddess and later through Gerald Gardner’s ritual structure, where it became the primary emblem of the Triple Goddess: maiden, mother, and crone. But the three-phase lunar framework has roots far older than any single author. Hecate, the Greek goddess of witchcraft, liminal spaces, and the crossroads, was explicitly a triple form – sometimes rendered as three women standing back to back, each facing a different direction. Diana Triformis in Roman practice similarly collapsed three goddesses into one: Diana the huntress, Luna the moon, and Proserpina the underworld. Selene, who drove the moon’s chariot across the Greek night sky, was often considered the full-moon aspect of this same triad. The symbol carries all of that weight, compressed into a single three-part arc.

I carry this particular chime because it puts the triple moon into the acoustic register, which is where I think it does some of its most interesting work. Wind chimes have been used as ritual sound instruments across cultures for thousands of years: Chinese feng shui tradition positioned bronze fenglings at temple eaves and gate arches to disperse stagnant qi and announce protective presences. The Japanese furin, a small iron or glass bell hung at shrine eaves, carried the same boundary-marking logic. In all of these traditions, the sound was not incidental – it was the mechanism. This chime’s three bells correspond directly to the three lunar phases on the central symbol. When the wind moves them, you get three distinct tones layered together, which is a more complex and interesting acoustic result than a single-note chime.

The glass beads add something the Sun Wind Chime does not have: a lighter, softer percussive layer between the bell tones. Glass is associated with the moon in multiple folk traditions precisely because of how it catches and refracts light – it transforms light the way the moon transforms sunlight, reflecting rather than generating. The result here is a chime that sounds distinctly lunar: layered, slightly unpredictable, with both the clear ring of the bells and the softer knock of the beads. In psychoacoustic terms, that kind of complex, non-repeating sound pattern is particularly effective at drawing attention out of ruminative thought – which is exactly the kind of interruption useful at the start of ritual, meditation, or any intentional practice.

How to Use Your Triple Moon Wind Chime

The Tarot Fellow Standard

This chime comes through the same wholesale supplier I use for several of the metal altar goods in the shop – a source I have worked with since 2019. They specialize in cast and stamped metal pieces, and I chose them because their finish work is consistent: no sharp edges on the metal symbol, no cracked beads out of the box, and no loose chain fittings that fail after the first week of outdoor use. I cannot tell you the specific foundry, and I will not claim anything about the sourcing of the metal beyond what I actually know. What I can tell you is that this chime is inspected before it ships, and if yours arrives with a defect – bent ring, damaged bead, incorrect piece – I replace it, full stop.

One practical note: this is an all-metal piece with glass bead accents, not brass tubes. It will not develop the warm brass patina you see on tube-style chimes, but the metal frame can develop light surface oxidation if left in wet weather over time. If you want to hang it permanently outdoors, a light coat of clear lacquer on the metal frame will slow that. The glass beads are resilient to weather but not to hard impacts, so avoid hanging it where it will swing into a hard surface in strong wind. The sound is gentle – three small bells, not resonant tubes – which is appropriate for its size and makes it a good indoor altar piece as well as a threshold decoration.

If the triple moon symbol speaks to you, there is more to explore: browse the full moon products collection for statues, altar tools, and jewelry that share this lunar current, or look through the wind chimes and sun catchers collection for other sound and threshold pieces in the shop.

Frequently Asked Questions